{"id":3783,"date":"2024-02-27T23:01:38","date_gmt":"2024-02-27T22:01:38","guid":{"rendered":"http:\/\/localhost\/retablo\/?p=1319"},"modified":"2024-12-26T16:19:10","modified_gmt":"2024-12-26T15:19:10","slug":"confini-e-sconfinamenti","status":"publish","type":"post","link":"https:\/\/retablo.org\/eng\/confini-e-sconfinamenti\/","title":{"rendered":"Boundaries and trespasses"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:0%;--awb-padding-right:6%;--awb-padding-bottom:0%;--awb-padding-left:6%;--awb-padding-bottom-medium:0px;--awb-padding-right-small:0px;--awb-padding-left-small:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 1375px + 0px );margin-left: calc(-0px \/ 2 );margin-right: calc(-0px \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column fusion-animated\" style=\"--awb-padding-top-medium:30px;--awb-padding-top-small:40px;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:0px;--awb-margin-bottom-large:8%;--awb-spacing-left-large:0px;--awb-width-medium:100%;--awb-spacing-right-medium:0px;--awb-spacing-left-medium:0px;--awb-width-small:100%;--awb-spacing-right-small:0px;--awb-spacing-left-small:0px;\" data-animationtype=\"fadeInUp\" data-animationduration=\"1.0\" data-animationoffset=\"top-into-view\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p><strong>Rete Latitudini<\/strong>\u00a0presents\u00a0<strong>\u201cConfini e Sconfinamenti\u201d<\/strong>, a cycle of six meetings-bio-interviews with New Dramaturgy authors, live streaming, conceived and curated by\u00a0<strong>Filippa Ilardo\u00a0<\/strong>and\u00a0<strong>Simona Scattina<\/strong>, with the sponsorship of\u00a0<strong>ANCT<\/strong>\u00a0(<strong>Associazione Nazionale Critici Teatrali<\/strong>).<\/p>\n<p>A real journey in contemporary Sicilian dramaturgy to \u201ctell\u201d the poetics, define the reasons for theatrical writings, confront with authors, actors, scholars, critics and organizers.<\/p>\n<p>The first appointment, hosted by Filippa Ilardo\u00a0<strong>Saturday, February 27 at 6:30 p.m.<\/strong>, which will initiate this fascinating project, is the conversation on the theme \u201cBetween the Folds of Subtext,\u201d between playwright\u00a0<strong>Tino Caspanello<\/strong>\u00a0and the authors\u00a0<strong>St\u00e9phane Resche<\/strong>\u00a0and\u00a0<strong>Christine Resche<\/strong>, lecturers of the<strong>Universit\u00e9 Paris Est Creteil<\/strong>.<\/p>\n<p>Theater criticism\u00a0<strong>Filippa Ilardo<\/strong>\u00a0describes as follows\u00a0<strong><em>Confini e Sconfinamenti<\/em><\/strong>: \u201cTraveling between texts and words to offer an educational, informative tool for understanding and reflecting on writing practices and how they are in dialogue with stage practices, with the art of acting. This is the origin of this series of meetings. The desire to offer a useful confrontation tool for those who want to immerse themselves in the art of stage writing, and to tell the audience, from the inside, the motivations, the reasons, the coordinates of the poetics of the most representative playwrights of our land, of our time.<\/p>\n<p><strong>Simona Scattina,<\/strong>\u00a0professor of Performing Arts Disciplines at the Department of Humanities at the University of Catania, clarifies, \u201cIn these first six meetings we host some of the protagonists and leading figures of what we can define as a disruptive theatrical parabola, which since the last decade of the twentieth century has relaunched Sicily's quotations as a creative forge of the contemporary theater scene. Artists who stand out within the chessboard of Sicilian dramaturgy for dramaturgical ingenuity, desire for renewal and audacity. The meetings will be a way to get to know them better, but also to question the role of the performing arts in a period of such profound transformations.\u201d<\/p>\n<p><strong>Gigi Spedale,\u00a0<\/strong>President of the Latitude Network,<strong>\u00a0<\/strong>concludes, \u201cWe also need to put this, now too long, period of imposed and painful seclusion to constructive use.\u00a0<strong>Latitudini<\/strong>, thanks to the scientific collaboration of the University of Catania and ANCT, gives birth to this valuable opportunity for analysis and reflection on the writing of our authors. It will be a natural continuation and deepening of the admirable work started with WRITE, the start of an organic discourse that I think will take us far, exploring the mine of Sicilian dramaturgy, raising our eyes beyond our \u201cborders.\u201d<\/p>\n<p><strong>The meetings will be broadcast live on Latitudes' Facebook page and Instagram profile.<\/strong><\/p>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-bottom:7%;width:100%;\"><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-bottom:7%;width:100%;\"><\/div><div class=\"fusion-text fusion-text-2\"><p>TINO CASPANELLO: TRA LE PIEGHE DEL SOTTINTESO<\/p>\n<p>Conversation with the author and St\u00e9phane and Christine Resche (University Paris Est Creteil)<\/p>\n<p>Coordinator FILIPPA ILARDO<\/p>\n<p><strong>SATURDAY, FEBRUARY 27, 6:30 P.M.<\/strong><\/p>\n<p>TURI ZINNA: IBRIDARE LA NARRAZIONE<\/p>\n<p>Conversation with the author and Anna Maria Monteverdi (University of Milan - La Statale)<\/p>\n<p>Coordinator SIMONA SCATTINA<\/p>\n<p><strong>SATURDAY, MARCH 6, 6:30 P.M.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p>LINA PROSA: PERFORMARE IL MITO<\/p>\n<p>Conversation with the author and Jean-Paul Manganaro (Professor Emeritus of Contemporary Italian Literature - Universit\u00e9 de Lille III)<\/p>\n<p>Coordinator SIMONA SCATTINA<\/p>\n<p><strong>SATURDAY, MARCH 13, 6:30 P.M.<\/strong><\/p>\n<p>ROSARIO PALAZZOLO: SCENA MULTIPLA E ALTRE METAFISICHE<\/p>\n<p>Conversation with the author, Gerardo Guccini (ALMA MATER STUDIORUM - University of Bologna) and Martina Vullo<\/p>\n<p>Coordinator FILIPPA ILARDO<\/p>\n<p><strong>SATURDAY, MARCH 20, 6:30 P.M.<\/strong><\/p>\n<p>VUCCIR\u00ccA TEATRO: COREOGRAFIE DEL S\u00c9<\/p>\n<p>Conversation with the Company and Stefano Tomassini (IUAV University of Venice)<\/p>\n<p>Coordinator SIMONA SCATTINA<\/p>\n<p><strong>SATURDAY, APRIL 10, 6:30 P.M.<\/strong><\/p>\n<p>CUTINO \u2013 PETYX: LA PAROLA DEL CORPO |\u00a0 IL SUONO DELLA CARNE<\/p>\n<p>Conversation with Compagnia M arte, Enzo Vetrano, Stefano Randisi and Massimo Marino (Corriere di Bologna - Doppiozero)<\/p>\n<p>Coordinator FILIPPA ILARDO<\/p>\n<p><strong>SATURDAY, APRIL 17, 6:30 P.M.<\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":4202,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-3783","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Confini e sconfinamenti - Retablo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/retablo.org\/eng\/confini-e-sconfinamenti\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Confini e sconfinamenti - 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