The intermingling of Kατάvη and Hack is the common thread linking the four performances, designed for virtual dramaturgies in three-dimensional stage installations.

Locked up in the back of his own mind, old Typhoeus can no longer instill terror by destabilizing the entire universe as he did at the time of the insurrection against Olympus, when he launched an assault on the heavens and even managed to imprison Zeus.

Phoenix is the name of the fabulous bird that every 500 years flies to fulfill its destiny, sings its last wonderful song and builds its nest to burn and be reborn from its own ashes.

Self-enclosed in a clearance closet in the company of a rotting big toe and a crazy mirror, a man transmutes into a sheet of paper. Blotter.

A teenage girl is in the hospital for an accident. Two mothers care for her. More precisely, they are two parts of the mind of the same mother. One is the other and the other is the one.

Formal liquefaction exercises with sound, tone, words, void, spaces, electronic footprints, physical and social bodies.

The Wall is a multifocal and polysemantic show, incorporating the elements of an epic song devoid of heroes into the form of a multimedia live set.

Shock in my town is a performance that aims to incorporate the thematic element of false social consciousness within a dramaturgical and scenic device that crumbles the covenant of suspension of disbelief.

An Escape to Egypt is a theater project developed entirely for virtual reality viewers. The audience, wearing the visor, will perceive that they are inside and part of the same environment in which the characters act.

The real antagonism is all inside the house, all around the Christmas tree the couple are intent on decorating; all around their identity crisis, their loss of individual and collective meaning.